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Bluebells

Nothing spells spring more than dappled light falling on an English Bluebell wood and of course this is a busy time for photographers.

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The Alcazar

The Alcazar of Jerez or more correctly Jerez de la Frontera (the frontier being between the Muslim and Christian worlds) is one of the most emblematic monuments in the city.  It is situated in the Southeastern corner of a wall that once enclosed the ancient city.  The Alcazar comprised walls, towers and gates and constituted a complex defensive system.

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Cacela Velha

Cacela Velha is an intriguing little village, that rare thing a largely untouched by tourism place that sits on a bluff overlooking the lagoons and beaches of the eastern Algarve.  A cobbled square by a little church (Igreja de Nossa Senhora da Assunção), an old telephone box and a slightly incongrous giant plant(s) sculpture provide some good places to stand and hopefully some interesting images.

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Tavira in Mono

Tavira, on Portugal’s eastern Algarve coast, was occupied by the Moors between the 8th and 13th centuries, the occupation left its mark on the agriculture, architecture and culture of the area, an influence that can still be seen today in the whitewashed buildings, Moorish style doors and rooftops.

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Fishing in Tavira

I recently splashed out on a Samyang 7.5mm f/3.5 Fisheye lens, I say splashed out but really compared with a fisheye for a full frame sensor camera it was an absolute bargain. It’s a manual focus lens and you have to set the aperture on the lens rather than with the camera so in addition to the fact that it is a fisheye, which in itself is new territory for me, it is all a bit of a learning curve.

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Exposure Lift Colour Cast

There have been a couple of reports online of a magenta colour cast appearing when G9 raw files are exposure lifted in Adobe Lightroom.  I have to date not noticed this myself although I have to say I am not wholly convinced by Lightroom’s raw conversion of the G9 files.  It may well be that I have not noticed this reported issue since I tend to ensure that I do not significantly under-expose images and therefore tend not to have lift exposure significantly in post processing.

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